Baroque

Georg Frederic Handel

b. Halle, February 23, 1685
d. London, April 14, 1759

Biography

The prolific composer George Friedrich Handel had an early affinity for music, but he was not always encouraged in that direction by his barber­surgeon father. When he was seven years old, his father took him to visit his older stepbrother at the court of Saxe-Weissenfels. The Duke noticed Handel¹s enthusiasm for the chapel organ, and persuaded his father to let him study music. His first teacher was Friedrich Wilhelm Zachau, organist of the Halle Cathedral. Handel took quickly to his studies, and by age twelve, he himself was assistant organist of the Cathedral. However, in 1702, according to the wishes of his dying father, Handel left his music for law school. This career choice was short lived, however; within a year, Handel dropped out.

In 1706 Handel left for Italy to pursue his love of music. There he met many great musicians, including Archangelo Corelli and both Alessandro and Domenico Scarlatti. This was at the time when Italian Baroque opera reached its zenith in popularity and success.  These associations, with both the musical idioms of the day and these great composers, greatly influenced Handel¹s compositional style.

Handel returned to Germany in 1710 and was appointed Kappellmeister to the Elector of Hanover. He left briefly for a visit to England­a visit he enjoyed so much he requested a second leave of absence just two years later. His reception in England was immediately warm, and he enjoyed so much success that he overstayed his leave. With the death of Queen Anne, Handel¹s employer the Elector of Hannover became King George I of England. This prompted Handel to remain in England permanently, becoming music master to the Prince of Wales¹ daughters.

Handel was one of the first composers to write organ concertos. They were originally conceived to fill time during the intermission of his own operas, with himself at the keyboard. These pieces became quite popular, and served to draw English organ music away from the solemn voluntaries of the decades before.  Because of Handel¹s influence, English composers began writing voluntaries and other organ works that were much more lively, often longer, and increasingly secularized.

On April 6, 1759 Handel accompanied a performance of Messiah on the organ for the final concert of the season. He passed away just eight days later, on the Saturday between Good Friday and Easter Sunday. He is buried in Westminster Abbey.

Points of Interest

Works

6 organ concertos