QUESTION: How does phrase shape influence the amount of time to be taken between repeated notes or between the various notes of an articulate line?
ANSWER: Good phrasing at the organ seems to follow a vocal model--
As you ease into or out of the phrase, when more emphasis may be appropriate, make larger breaks between repeated notes or between the notes of an articulate line. As you flow through the phrase, make smaller breaks.
Melodic and harmonic shapes will also influence this general plan, and an organist who uses sensitive phrasing will respond to all these and other factors.
For a more specific answer to this question, we must consider which approach to touch is being taken in a piece.
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