Lesson Test

Take this test after you have internalized the entire lesson. Once you begin, do not refer to the workbook or other reference material. To grade this test, press the “Check Answers” button below. You may take this test as many times as you wish by pressing the “Reset Test” button. For each incorrect answer you will be given a reference to the OrganTutor lesson topic that you should review to gain a full understanding of the concept.

Choose the one best answer.

  1. Which of the following does NOT have a direct relationship to chorus registration?
  2. In which of the following is chorus registration frequently employed?
  3. Which of the following is NOT an important “rule” for building chorus registrations?
  4. Which of the following registrational phenomena does NOT contribute towards clarity, but towards richness?
  5. Which of the following combinations is most likely to be well balanced within a single division?
  6. Which of the following combinations is most likely to be well balanced between Great and Pedal?
  7. Which of the following mutations will do MOST to detract from clarity in chorus registration?
  8. If you wish to strengthen a combination of flutes 8' and 4', which of the following stops will contribute MOST towards a fuller, richer, and cohesive ensemble?
  9. In building for richness on a moderate to large organ, which of the following is appropriate?
  10. Chorus reeds should be added
  11. Which of the following are generally NOT part of full organ?
  12. Which of the following combinations would be the most appropriate chorus-type registration for the musical example? It must be a large enough combination for congregational accompaniment--a more important factor than clarity in this example. (Hymn, “Silent Night” [Stille Nacht])
  13. Which of the following combinations would be the most appropriate chorus-type registration for the musical example? It must be a large enough combination for congregational accompaniment--a more important factor than clarity in this example. (Hymn, “Angels, We Have Heard on High” [Gloria])
  14. Which of the following combinations would be the most appropriate chorus-type registration for the musical example? (Hymn prelude on “How Great Thou Art,” by Don Cook)
  15. Which of the following combinations would be the most appropriate chorus-type registration for the musical example? (“Prelude in F Major,” from the eight short preludes and fugues of Johann Sebastian Bach)
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