The first part of this trio, another hymn melody, appears in the upper staff in the soprano range. We will register with an 8' foundation, using a soft solo stop or combination to reflect the contemplative nature of this hymn. This time we will try a small combination based on flute tone: 8' and 2 2/3' with tremulant.
Flutes 8' and 4' in the second part will balance the gentle first part. This offers contrast mainly through pitch: gap registration in the first part, soft 8' and 4' tone in the second.
The pedal part is a classic bassline, with repeated notes that remind us of the double bassist's bow. Pedal flutes 16' and 8' would offer both definition and contrast in pitch with the left-hand 8' and 4' stops.
Some alternatives for the first part: